Friday, 23 September 2011

SANDMAN Extract #4 (from Chapter 2)

Here is the latest extract from my psychological thriller: SANDMAN:

The lad with rolled-up jeans pushed his boat down into the water; it was beached near the end of his garden. Jumping in, he sat down and rowed with a slow, fluid motion. Golden reflections from the low morning sun danced on the calm waters and the only noise he heard was the soft plop of his oars as they moved in and out of the water. A low mist hung low over marshland at the easterly tip of Blackberry Point where several horses dreamed by the water’s edge. A light breeze caressed the boy’s deeply tanned skin and he sensed the coming of a hot, sun-filled day. He savoured the freshness of the air greedily. It was good to be alive.


After a couple of minutes he stopped rowing, stowed the oars, and moved back to the stern where he sat by the outboard. In no hurry to start the motor, he was content to stare across glittering waters while the boat drifted gently. Squinting against the brightness of the sun, he looked towards the long sandbank that separated the harbour from the sea. Beyond, only faintly discernable through the morning haze, he could see the distant outline of the Isle-of-Wight. The beach huts along the golden line of sand reminded him of colourful beads on a necklace. Nature had painted a glorious picture here, but it was the touch of man which lightened the mood and confirmed it was a place of fun. Sand and sea; fresh air and the sound of breaking waves; it was a combination that created a special magic for him.

The sandbank always seemed like an island to him because of the nature of its community: people who slept and lived out alternative life-styles, while paying handsomely for the privilege of their lazy days. This thought always made him grin; he practically lived his entire life there without cost.

Standing, the lad pulled the starter-cord and his outboard motor burst into a noisy life that startled some oyster-catchers into sudden flight from their feeding place just off the point. In the distance, nearer to the nature reserve, and quite unfazed by the noise, the lad spotted a stationary heron standing majestically in the mist. Sitting back into the seat he headed down Hurn Channel. When he was quite near to The Run and the harbour-mouth, he turned around the immersed sandbank into Main Channel, observing the buoys. Finally he crossed the shallow waters of the open harbour towards the beach café and slowly approached his usual morning landfall.

His first visit was to the fisherman’s hut near the Black House, but Tom Blake told him there were not enough net or lobster-pot repairs to warrant any work that morning. The fact there would be no money coming his way that day was of little concern. His financial needs were few, although he did have some serious long-term savings plans for when he could get a job with more pay. He was always asking at shops but they never had any job vacancies. Still, one day he might strike lucky.

Although the tide was wrong that morning, he happily spent a long while beach-combing. This ended with him stacking some smoothly-bleached logs into his boat; they would look great in his display. He imagined they were borne by the Gulf Stream across the Atlantic before drifting down the Channel; they might have originated from just up the coast, of course, maybe from Poole Harbour, or perhaps from France, but he liked the notion of America best. Good floaters might well come from America. He was keen on America: ‘land of the free… home of the brave’. He was brave, and he always wanted to be free. When he was older he thought he might live in America and be really free.

After buying a coffee at the shop alongside the Beach House café, and sitting at the strangely tall table there to drink it, he wandered down the sand-strewn service road to the foot of Hengistbury Head. On the way he had to grudgingly step aside to let the little green land train pass by. Why should it force him off the road? He had as much right to be there as anyone; more, really. Why couldn’t the passengers walk like him?

He climbed the sandy steps onto the heather-clad headland and then lingered to gaze down along the coast to the east: his favourite view of Mudeford Sandbank. He always marvelled at the way it stood so strongly between the combined forces of two merged rivers on one side and the power of the sea’s constant lashing on the other. How wonderful that tiny grains of sand, effortlessly moved around by wind and tide—even by people’s toes—could jointly have the strength to form such a strong barrier. And what power the waters had. He knew it well. The fact people paid such enormous sums of money for their expensive beach huts also proved everyone else believed the sandbank would always be there. He reflected it was a good job there were never any tsunamis in Dorset. Or was it satsumas? He frowned uncertainly. He never mentioned the word because he knew one or the other were oranges.

Gradually his eye was drawn along the colourful line of huts to the Black House, the last building on the sandbank. It stood next to the fast-flowing tidal waters between harbour and sea, the place where he loved to challenge its power in his little motor boat, especially when its engine could only just match the opposing current. Under these conditions it felt as if he personally overcame the power of Nature, thanks to his own strength and skill.

After a while he headed for his ‘thinking seat’. He was a great thinker, or ‘dreamer’, according to his dad. That morning he dreamed of going to America and powering along Route 66 on the Harley Davidson he planned to buy; he always hankered for a more powerful motorbike. He imagined himself with an attractive blonde seated on the pillion, clutching excitedly to his waist, wholly dependent on his biking skills as he rode a ton to the accompaniment of that throaty roar. How he loved the sound of a Harley. He thought about the girls in his magazines: how attractive they were; how great they would be as girlfriends; what fun they would have with him crossing the States on his bike; what fun he would have with them at nights in motels. Yes, he would definitely do all that one day.

Then he imagined himself on nearby Poole Quay with his Harley and his long-haired girl, both in black leather, her wearing a short leather miniskirt, him the envy of the other bikers as they ogled his girlfriend’s long, tanned legs. He also imagined what it might be like to own a Sunseeker boat, to moor in the South of France, to smile modestly at the admiring café people at the water’s-edge. Which led to thoughts about the beach huts again, the happy families, the couples. Why did his life have to miss out on all that?

Hearing noises behind him, he glanced back to see who was coming. It was a family he vaguely recognised. They were happy and laughing. The man was tall, dark-haired and lucky: lucky because his woman was a real stunner with long blonde hair, now exposing a lot of sleek tanned stomach between her bright orange top and hipster jeans. The daughter was a fair eyeful too, although a bit young for him. She was also blonde, slim, shapely, similarly dressed to her mother, but her top was red. He knew they were hut owners. They had their boisterous dog with them, bouncing about all over the place, out of control, as usual. He didn’t like dogs very much. They were too noisy and unpredictable. The girl was throwing a stick and the dog was fetching it and then scampering around, barking excitedly, impatient for another throw: a dim, easily-amused creature. A family having fun: he couldn’t abide it. Hunching over and looking studiously away from them, he gazed moodily across the sea towards the island. Mentally, he merged into the landscape so he would not be noticed.

Soon the family disappeared down the steps and he listened to the fading sound of the girl’s laughter and the dog’s excited barking with relief. Why had he never had a happy family life like that? Then it came to him. Rubbish parents, that was why.

Follow me on Twitter (with almost daily posts) as: @authorkingsley
Find out more about SANDMAN at: iankingsley.com/books/sandman/

Thursday, 22 September 2011

SANDMAN Extract #3 (from Chapter 1)

Here is the latest extract from my psychological thriller: SANDMAN:

The crouching figure stared across the narrow strip of beach. Bright moonlight was forcing him to take cover in the shallow dunes. Although fierce flurries of sand occasionally stung his face, he still considered the conditions to be perfect. While the wind was not wild enough to compromise his mission, it was sufficiently blustery to cover any inadvertent sound he might make. He breathed slowly and deeply to calm himself and to fill his lungs with oxygen before he took action. He loved the tangy freshness of the sea and the sound of its alternate crashing and hissing; he smiled when the thought occurred to him that it sounded rather like his father’s wheezing and snoring.

Totally focused, he was ready to move. He knew his dark jacket and jeans made him practically invisible at night. He always took special care on missions. Tonight he needed to gather information and then get out by boat.

When a cloud temporarily obscured the moon, he slipped across the sand to the long line of beach huts. He could now move down their entire length without being seen: as silently as the most highly trained member of the SAS. Time for an update on those he called ‘hut-dwellers’. The mission was on.

Follow me on Twitter (with almost daily posts) as: @authorkingsley
Find out more about SANDMAN at: iankingsley.com/books/sandman/

Wednesday, 21 September 2011

SANDMAN Extract #2 (from Chapter 1)

Here is the latest extract from my psychological thriller: SANDMAN:

Carol muttered more lines to herself while enjoying the pleasant wooded walk. She always sought solitude when rehearsing, and this was perfection. Areas of close shrubs and trees occasionally parted to frame delightful views across the lower fields to the harbour. It was all so beautiful.


Suddenly a loud rustle of leaves startled a blackbird and it flew close past her, chirping in panic. Carol halted uncertainly. Before she could assimilate what was happening, a man sprang from the bushes and blocked the path in front of her. He planted his legs wide and outstretched his arms threateningly. To her horror she saw he was wearing a black balaclava. Frantically looking for some way to escape, and well aware there was a sheer drop to her right, she veered to the left, but the ground immediately turned boggy. Small uncontrollable sounds of fear emanated from her throat and her heart was pounding as she struggled back out of the mud. Only the path itself was passable.

The youth grinned and pointed to her feet. ‘My, my! What a mess you’re getting in. A shame for such a pretty little thing.’ He paused to leer. ‘Let’s see your smile then.’

Screaming with terror, Carol turned to run back along the path but he was on her in a moment. One hand clasped tightly around her mouth, hurting her face, the other around her waist. The script flew from her hands as she tried to dig both elbows into him, but all her efforts were futile, he was far too strong.

‘Stop struggling or I’ll kill you,’ he shouted angrily. She stopped, rigid with fear. ‘Now just behave and I won’t need to hurt you.’ Still holding her tightly by the arm, the man moved around to face her.

Carol focused on the terrible knife in his hand; it was pointing towards her, glinting menacingly. Looking up she saw dark eyes boring into hers through the jagged holes of the balaclava. Seeing her terror, the slit of his mouth twisted into a sardonic grin. ‘Fancy walking alone here. Silly girl. Who knows what might happen?’ He took his time to look her up and down. ‘So what’s your name, babe?’

‘Michelle.’ Almost subconsciously, she spat out the protective lie straight from her script.

‘Me-shell.’ As he drew the word out he seemed to savour the last syllable as if it were some fine delicacy. ‘Nice name. Know what? You’re almost too pretty to live, Michelle.’



Follow me on Twitter (with almost daily posts) as: @authorkingsley
Find out more about SANDMAN at: iankingsley.com/books/sandman/

Tuesday, 20 September 2011

SANDMAN Extract #1 (from Chapter 1)

I've been so busy concentrating on writing that Twitter has been my only social media outlet lately. However, I am now going to post extracts from my work on this blog. Each time I do this I will mention it on Twitter.

Follow me on Twitter (with almost daily posts) as: @authorkingsley

Here is the first extract from my psychological thriller called SANDMAN:

Paul Vincent was well aware his wife’s tight little smile was the result of feasting her eyes on the sleek and wet-suited contours of Russell Gartland. Were it not for this, he could have relaxed a little more and perhaps even been amused by the overpowering enthusiasm of the man with the spiky, gelled-up hair. Unfortunately, he knew Sasha’s weakness only too well. Gartland was showing them his windsurfing training rig on the harbour shoreline. Paul felt almost under-dressed in his baggy red trunks.


‘So just remember the sport’s called windsurfing, not sailboarding, and you’re called sailors, not surfers,’ said Gartland.

‘Confusing,’ muttered Leah Vincent, shaking her head. Dressed in a yellow bikini, she brushed long hair from her face. At only thirteen, she was not quite as tall as her mother and did not have the same toned body, but they were otherwise strikingly alike, except for her being a shade skinny, in her father’s opinion.

Gartland grinned and shrugged. ‘That’s life, Leah. But windsurfing’s a world away from board surfing, believe me. When you start out with displacement sailing, you’re just boarding through the water like a surfer, but when you’re proficient, and have learned to hydroplane in stronger winds, then you’ll just be skimming across the surface of the water.’ He winked at Leah. ‘That’s a whole new scene. It’s fast.’

‘Really?’ Paul Vincent was impressed by this new piece of knowledge; he also wanted to draw Gartland’s lingering gaze away from his daughter. ‘What speed can you get up to when you’re hydroplaning?’

Gartland turned to face him. ‘You can plane above around eight to ten knots, Paul, and you can even get to over fifteen knots with recreational equipment.’

‘So can you do more with special equipment, Russell?’ asked Sasha. Her black bikini revealed a figure almost as athletic as Gartland’s, courtesy of her work as a physical education teacher. Paul noticed she moved a little closer to Gartland while enveloping him in one of her broadest smiles.

‘Oh yes,’ Gartland grinned back. ‘There’s no holding back what you can achieve with special equipment, Sasha.’ As they exchanged amused grins, Paul was sure of it. He reckoned he’d noticed their mutual admiration during the theory training Gartland had given them a week earlier, but now this seemed patently obvious as the man continued to hold his wife’s gaze. ‘It’s possible to go right up to fifty knots, Sasha, but ideal conditions for recreational sailors are about fifteen to twenty-five knots.’ He pulled up the sail of the training rig. ‘So, we’ve done the theory. Now you need to develop balance and core stability. Stand up on the board, Sasha, and let’s get some wind in your sails. You look up for it.’

Sasha stood on the training board but wobbled off when she was distracted for a moment while smiling at Paul.

‘Try again,’ said Gartland. ‘You can’t walk on water, Sasha.’

Paul thought Gartland probably imagined that particular skill was restricted to him. As Sasha stepped back onto the board a light gust of wind unexpectedly filled the sail, taking her by surprise. When she wobbled towards Gartland, he reached out to support her, one hand resting on her back and the other on her buttocks. Both were laughing uproariously as he pushed her upright again, with his left hand remaining far too long on his wife’s bottom for Paul’s liking.

‘Steady on. Don’t handle the goods.’ Paul tried to make light of it but annoyance was clear in his tone.

Still with one hand supporting the small of Sasha’s back, Gartland grinned round at him. ‘Why do you think I do this job, Paul? Wait till it’s your turn, sailor.’ He jokingly twitched one eyebrow, causing Sasha and Leah to dissolve into hysterics.

‘Just don’t push it, Russell, that’s all,’ said Paul. ‘Especially with my daughter.’

Gartland’s face now lost its humour and his tone became icy. ‘I was only helping with Sasha’s core stability, Paul.’ He took his hand away from her.

‘I’d just concentrate on your own core stability, Russell.’ Paul held the other’s gaze during an uncomfortable silence. No one was smiling now.

Read more about SANDMAN and its real location at: http://www.iankingsley.com/books/sandman/

Friday, 3 June 2011

BOOK REVIEW: 'The Boy in the Striped Pyjamas' by John Boyne

As a writer I hate having to say anything negative about another's work, but huge plot flaws do not go by unnoticed, as evinced by other reviews alongside this review of mine, published on Goodreads. Identifying and removing plot flaws is important for novelists, so I have published this review to demonstrate how they can misfire. In particular, the reliance on a misunderstanding of language that would not have actually worked in the original language is something no novelist should fall for. Nor is a point-of-view that is at odds with the treatment. Anyway, here we go with the review...

 Because of the success of the film, I decided to read this book. I was disappointed because I think it might have worked better with a different approach. As a writer, I found the choice of using third-person viewpoint and yet still writing what must surely be a young-adult or adult book in baby language was a poor choice. This topic is not for Enid Blyton readers. This level was emphasised by repetitive phrasing while inside the head of this child, Bruno, and such would only really work if this book had been written in first-person: which would have worked much better. To suggest it is a children's book amazes me, despite the baby language; you really don't want to 'charm' little children with tales of Nazi prison camps. In any case, only an adult can interpret what goes on, especially at the end of this book, so that blows a hole in that interpretation.


I have to agree with criticisms that to believe the 9 year-old son of the Commandant of a prison camp such as Auschwitz has not heard of Hitler and his aims is asking a bit too much (especially since he had been taught the Nazi salute). Even in those days, no child of that age could be as naive as this one. That he mishears 'Der Führer' as 'The Fury' and 'Auschwitz' as 'Out-With' becomes increasingly annoying with multiple repetitions, especially since such unlikely confusion could only occur with the English versions of these words and not the German: huge plot flaws. It is annoying that things like this, which prevent any suspension of disbelief and, rather, creat a feeling of total disbelief. And that this little boy is able to meet a 9 year-old inmate of the prison camp to chat through an unpatrolled section of the fence, for a year, and even pull up the wire to go into the camp in the closing scenes, beggars belief. I am also uncomfortable with the 'cosy fable' aspect of this dreadful scenario. I don't want to spoil the plot, but I also feel Bruno's father should have come out of this with a much more positive sense of self-realization as the result of learning what happened. Such an antagonist should reep his just deserts!

I cannot see a target audience to whom this book might actually speak. I have not seen the film, which possibly filters out some of the many plot flaws. As I said, it could be done much better. A pity that didn't happen.

Wednesday, 18 May 2011

Information about characters and settings in SANDMAN

Here is some information about some of the characters and settings in SANDMAN: http://www.shelfari.com/books/16801556/Sandman

My psychological thriller 'SANDMAN' is now an eBook

I published my psychological thriller SANDMAN as an eBook a couple of days ago on Smashwords.com and it already appears on the Sony EBook Downloads list, which makes me impressed with Smashwords. Yesterday I published it as an Amazon Kindle as well (US | UK). It was published in paperback in August 2010. The book is set in and around Christchurch, Bournemouth, Mudeford Sandbank and Hengistbury Head in Dorset, England.

For the full list of options of where you can buy SANDMAN, whether paperback or eBook, please visit this page on my author website. This page also includes many reviews. Bestselling author Sophie King gave it this cover endorsement: 'A gripping psychological read with characters that reach out and grab you. A real page-turner.'

If you buy it I hope you really enjoy it. Smashwords offers a 3-chapter free preview, and buying the eBook only costs you the price of a cup of coffee. If you enjoy it, I'd be really grateful for a reader review - especially on Smashwords.com. Many thanks!

Friday, 6 May 2011

Watch this stunning time-lapse of north American cities waking up

Between late 2010 and early 2011, photographer Dominic Boudreault visited Montreal, Quebec City, Toronto, Manhattan, and Chicago, shooting gorgeous images of the cityscapes at night using a Canon 5D Mark II. The images were then combined into this beautiful time-lapse video showing the hustle and bustle of highways, sidewalks, streets, and rivers. You really must not miss viewing this!
http://www.petapixel.com/2011/05/05/gorgeous-time-lapse-of-north-american-cities-at-night/

Monday, 11 April 2011

Did I see a UFO over golf course?

Okay, so you're skeptical about UFOs - as we all should be. But I shall never forget the time I took my dog for an evening walk - in total darkness - and saw this strange, bright light beyond a wood and over a golf course for about a minute. I saw it make sudden, very fast, and acute changes of direction several times (eg 30 degrees) before shooting off. It was obviously low, quite near, and not a star or satellite because of its erratic movements. It was all too fast for a helicopter, and there was no sound to be heard. I shall never forget it. What do you make of that?

Friday, 8 April 2011

Adding description while avoiding authorial intrusion

When writing fiction it it best to avoid diving straight into description, since this is total 'authorial intrusion'; in other words, the author's voice shouts out to interrupt the 'suspension of disbelief' you have lulled your reader into while caring about your characters. Looking at a scene through your character's eyes and observations is one way to achieve this. The following is an example taking from the novel I am presently writing:

I suddenly found myself observing her as a stranger might in order to gauge what Julia perceived. I was very ware of the shrillness to her voice and, although her English was excellent, I realised how Julia might notice her speech was still modulated by a German staccato; each word was sharply enunciated. I was also aware of an aroma of stewed apples. She’d always had a thing about apples. I’d practically lived on them as a kid. The house always smelled of apples.